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i
“the end is come” hasn’t you
? or if it hasn’t then
where are you ? seeming to believe it ‘s
all a “dream” sink hole eternities in
a collapsed minute of dust ten
inches thick frame works to re wind
the whole the how many
unbelievably “dead” in un counted monuments
of silence and blank before it
“blows” wafts of indelible
nostalgia in blood and pink with
horrendous screens bipartite for
social secluded from reality
the sleeper on his arm curving into
a bay of illicit black waters
unfold s the “red” before it
turns flesh bits and some
diving head first rather than burn at a
xerox degrees fahrenheit
sequestered illusions of all that
happened before now becomes apex and
apogee in clouds of ash and
whitened liturgies in panasonic
vistas where lawns used to sway
in an america dead from the
waist up and still wandering in
cigarette magma toll of thousands
beckons with left aura a similitude of
grain and porphyry flicker
astonishes in a rather like the
substance in a coma which executes before it
indicts and so all fall down in
rain of paper hurdles and miles fixed
in a single cornea of
blackening extreme on the cathedral steps
hush over mouth in display of
horror show as sky becomes a crash
within it self deafening the azure into
a steep trance unlike the other
time (s) when with a switch of
the throb an ovation breaks like
sweat huddled in a concrete
diapason that is sent rocket like
into energetic space not
meant for human consumption but later
the steps carved out of mutilated
air and echoes in a tap of
small water forgets to whisper its
intent as quanta of minute
flame leap licking the intense and
inane margins of
civilization’s discontent according to the law of
karma all of
this (silence)
ii steak s out a pattern
opposed dis registers numb
files outer limits
surpassed by map’s impossible
origins as red encounters
blank in superficial fright
wig amassing symbols of
despair in a small rectangular
“thing” easy enough to swallow
but utterly
indisposable we each that is wander
according to the permutations of
discord and ire swings its heavy
shift into the gods are totally
blind as on no other day this
petty no more a conflagration
than an end to all
conflagrations enter by this small
lower gate into hell and discard
opprobrium’ s lie white flecked and
“evil” attach to the scrotum
the hundred pound unit and fling the
“corpse” into its ashen ultimatum a
figure eight resolves its own
horror in a reminiscent of the
circular conditions of the
psychiatric ward and nail down the
coffin’s wing can no longer fly to the
sun no longer bail out water
like used to on the moon with
a crimson berlitz “book” and code
name something like
“morpheus” ? -dice cast into the glottal
well speech is only plausible
after death takes
“over” the remaining quadrants
to be filled in by a pus like
substance “ichor” ? left indra at
the wheel collapsed over surrogate
orgasm on automatic pilot and
swerve into hydromechanical
sky with immense a question
as to the shape it will
resolve rope burn and magma of
human detritus the epochs of
history numbered backwards from
alph to zed in the upper left
dit dot a burgeoning suicide
note the size of tartary in
hazy ink hemistich with
double margins to the right to allow
for free fall plunging with massive
elephants into the proverbial
thimble of water applause leftover from
canned heat and Mom wired to her
tarot deck attempts that hapax
smile everyone undresses so
quickly none there who nor
others that have any skin left to
tell “to wake without
confusion and with
compassion \for “all” living things\ iii so it has wended and
bereft of times the rain couldn’t
tell nor in the isolation
ward with a hundred to go and
still “counting” whispers lash
and weeping long side the once
running waters of , hush of stygian
“fix” , shot in curved arm of a
delta phones to tell on board
and can’t the reason “why” in a
landing near arcadian suburb
whither the backward gait of
many a false apostle at the
lever geared up for an
infinity of black the boxes begin to cry
on their own though the whenever is a
distinct they are now describing
“retaliation” in terms of JIHAD in
offices sometimes known as
Prayer Wheel turning through a
maelstrom of ignited air into chasms of
former finance the indelible print on
the back of the skin (a song)
denies any whatsoever knowledge has
to do with “it” and and and unwholesome
reiterations come back to the radio
play about fragments kept falling
from who never mind outer space
what about the mind set which is holy
and reads any other interpretation
as some kind of blasphemy a
total dis orient will it matter ?
stumbling on discredited evidence
history shatter s its own mirror in a
paroxysm of ineffable “terror”
(made me do it) junk mail
correspondence between Baal and Zeus
using only genitive and dative
case forms a morphosyntactic redux
of the unutterable as it takes
its own glass reshapes it and
plunges a flame through its eye
and stutters incorruptible vowel
formations far off into the
eternity of night each hour a passing bell
dies a second hand registers
zero effect while somewhere far off
in Sri Lanka the gold robe of its own
accord bursts into a sublime
conflagration buddha on the steps
reduced to a mire of dust and whorls of
choking an effigy probably of
the dying tumult of the stock
market’s echo usually translated in a
japanese meter for those who can no
longer hear “well” what it is the ancestors
are trying or like the time we were
driving “home” and an angel fell in
front of the car what were we supposed to
think ? other than to project an
infernal “dream” about the life around us
? //
spasms // links // it was already
“dead” when the rescue team
arrived with their anvils and blow
torch singing a chorus from Handel’s
Julius Caesar no, could not have known
“that” was the apocalypse with
its tinny shatters pieces of the
original into a trillion bits you can
still sense the awful part is where
no one knows why , names of streets
burned to a on their knees the
skeletons still looking for a denture or
a wristlet if this is like hell
then // eyes peer into the oblong
shaft to return from there
nothing “Wachet
auf!”
ivan arguelles sept 12-14, 2001 |